Susan Roth

Schulte Fine Art - Susan Roth "Raising Bhuda"
Susan Roth "Raising Bhuda" 1996 49" x 35 1/2" Acrylic and collage on canvas
Schulte Fine Art - Susan Roth "Words of Love"
Susan Roth "Words of Love" 2010 27 1/2" x 71" Mixed media on canvas
Schulte Fine Art - Susan Roth "Sacajawea"
Susan Roth "Sacajawea" 2013 66" x 24" Steel, powder coated

Selected Solo Exhibitions:

Everson Museum of Art, Syracuse, NY 2015
The Munk School of Global Affairs, University of Toronto, Toronto, ON, Canada 10, 2014 – 2015
Luther Brady Gallery, GW University, Washington, DC 2014 – 2015
Jane Corkin Gallery, Toronto, Ont. 2010
Gallery One, Toronto, Ontario, 1999, 1996, 1990, 1988
Galerie Elca London, Montreal, Quebec, 1991, 1990, 1988, 1986
Salander-O’Reilly Galleries, New York, NY, 1990, 1987, 1986, 1984, 1982, 1981
Sangren Hall Gallery, Western Michigan University, Kalamazoo, MI, 1987
The Hett Gallery, Edmonton, Alberta, 1983
Martha White Gallery, Louisville, KY, 1983
Nicola Jacobs Gallery, London, England 1982
William Edward O’Reilly Gallery, New York, NY 1980
Everson Museum of Art, Syracuse, NY 1976

Selected Group Exhibitions:

“Painterly Pasted Pictures” an exhibition of 20th century painters of collage curated by E. A. Carmean Jr. @ Freedman Art, New York , NY 2013
“Color & Edge” with Lauren Olitski Poster and Ann Walsh @ Sideshow Gallery, Brooklyn, NY 2012
“Extreme Possibilities: New Modernist Paradigms” The Painting Center, NYC, NY curated by Karen Wilkin 2009
“Direct Sculpture: A Dialogue in Polymers”, Student Union Gallery, Univ. of Massachusetts Amherst, Amherst, MA 2006
“Greenberg in Syracuse; Then and Now”, Company Gallery, ThINC, Syracuse NY 2005
“Studies in Abstraction: Lauren Olitski, Susan Roth, and Ann Walsh”, curated by Wendy S. Evans, Student Union Gallery, Univ. of Massachusetts, Amherst, 2005
“Rural Artists / Urban Sensibilities”, C. W. White Gallery, Portland ME 2003
“The Clement Greenberg Collection”, Joe & Emily Lowe Gallery, Syracuse, NY 2003
“Clement Greenberg, A Critic’s Collection”, Portland Art Museum, Portland, Oregon 2001
“The Mirvish Teaching Collection”, Agnes Ethrington Gallery, Queens University, Kingston, Ont. 1998
“16 in One, Sixteen Women Artists”, curated with essay by Karen Wilkin, Gallery One, Toronto, Ont. 1996
“Modern Masters”, Salander-O’Reilly Galleries, New York, NY 1988
“Art for All”, Edmonton Art Gallery, Edmonton, Alberta 1988
“Studio Watch”, Edmonton Art Gallery, Edmonton, Alberta 1987
“Modern Masters”, Salander-O’Reilly Galleries, New York, NY 1986
“Gender & Gesture”, Women’s Studies Symposia, Picker Art Gallery, Colgate University, Hamilton, NY 1986
“The Mid Year Show”, Butler Art Institute, Youngstown, OH 1985
“Pre Post Modern”, curated by John Link, Richard R. Brush Art Gallery, St. Lawrence University, Canton, NY 1985
“Two Americans”, an exhibition with Keiko Saito, Nicola Jacobs Gallery, London, Eng 1982
“10 Years of Acquisitions”, The Hirshhorn Museum and Sculpture Garden, Washington, DC 1983
“Selection from the Collection”, The Hirshhorn Museum and Sculpture Garden, Washington, DC 1982
“The Syracuse Show” juried by Lawrence Alloway, Everson Museum of Art, Syracuse, NY 1978
“New Acquisitions”, Boston Museum of Fine Arts, Boston, MA 1977
“The Syracuse Show”, juried by Clement Greenberg, Everson Museum of Art, Syracuse, NY 1976

Selected Pubic Collections:

Agnes Ethrington Gallery, The David and Audrey Mirvish Teaching Collection, Queens University, Kingston, Ont.
Basil Museum of Art, Basil, Switzerland
Boston Museum of Fine Arts, Boston, MA
Butler Art Institute, Youngstown, OH
Canadian Imperial Bank of Commerce, Toronto, Ont.
Comino Foundation Collection, Valduz, Switzerland
Corin International, Hong Kong, China
De Menil Family Trust, Paris, France
Edmonton Art Gallery, Edmonton, Alberta
Everson Museum of Art, Syracuse, NY
Fogg Art Museum, Harvard, University, Cambridge, MA
Fort Lauderdale Museum of Art, Fort Lauderdale, FL
Glenbow Art Gallery, Calgary, Alberta
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC
MFA / Hines Collection, Boston, MA
Museum of Contemporary Art, Montreal, Quebec
Portland Art Museum, The Clement Greenberg Collection, Portland, OR
York University, Toronto, Ontario

Selected Bibliography:

Piri Halasz, From the Mayor’s Doorstep http://www.pirihalasz.com/blog.htm?post=907117
Nancy Keefe Rhodes Exhibition Catalogue Limestone Art Gallery, 2010
Karen Wilkin “Extreme Possibilities: New Modernist Paradigms” The Painting Center 2009
Katherine Rushworth, “The Call of Canastota” Central New York Magazine, May/June 2009
Sonja Freidman, “Susan Roth” La Palabra Isrealita, Santiago, Chile 2009
Clement Greenberg, “Interview with Clement Greenberg, (reprinted from , Susan Roth, A Minotaur Production : video Reader’s Digest Foundation, 1988)” , Direct Sculpture; Dialogue in Polymers, catalogue to the exhibition, UMass / Amherst 2006
J. R. Hughto “The Mirror Eye” documentary video 2005
Allen M. Jones “The Prescience of a Cranky Critic” L.A. Times 2004
Donald Kuspit, “A Critic’s Collection”, ArtNet, 2001
Karen Wilkin, “Clement Greenberg: a critical eye”, Clement Greenberg, a critic’s collection, Princeton Univ. Press, 2001
John Link, Susan Roth’s Toughness, newcrit.art.wmich.edu/JLtough.html, April 2001
Carl T. Rotenberg “Optimal Operative Perversity: A Contribution to the Theory of Creativity”, New Theraputic Visions , vol. 8, The Analytic Press, 1992
Kenworth Moffett, New New Painting, Nouvelles E’ditions Francaises, 1992
Dodie Kazanjian, “On Target”, Vogue, February 1990
Karen Wilkin, Susan Roth, A Minotaur Production, 1988
Clement Greenberg, Susan Roth, A Minotaur Production, 1988
Thomas Fisher, “The (Dis)unity of the Arts”, Progressive Architecture, February 1988
Kenworth Moffett, “Moffett’s Artletter”, Vol. II No. 7, September 1987
Karen Wilkin, “La Materialite’ de L’Oeuvre de Susan Roth”, Vie Des Arts, Vol. 125, December 1986
Kenworth Moffett, “Abstraction Offers the most Exciting Possibilities”, Art New England, September 1985
John Link, “Pre Post Modern”, Catalogue to the Exhibition, March 1985
Karen Wilkin, “Susan Roth: An Essay on Recent Paintings”, Arts Magazine, Oct./Nov. 1984, Illustrated
Valentin Tatransky, “The New Avant-Guard”, Art International, April/June 1984 Vol. 27, No. 2
Terry Fenton, “A Year in Review”, Update, March/April 1983, Vol. 4, No. 2
Valentin Tatransky, “Arts Reviews”, Arts Magazine, February 1983, Vol. 57, No. 6
Kenworth Moffett, Larry Poons: Paintings1971-1981, Catalogue to the Exhibition, 1981
Lawrence Alloway, “The Syracuse Show”, Catalogue to the Exhibition, 1978

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